The Only Exception-Paramore (Lyrics)

When I was younger, I saw my daddy cry
And curse at the wind
He broke his own heart and I watched
As he tried to reassemble it

And my momma swore that
She would never let herself forget
And that was the day that I promised
I'd never sing of love if it does not exist

But darling, you are the only exception
You are the only exception
You are the only exception
You are the only exception

Maybe I know, somewhere deep in my soul
That love never lasts
And we've got to find other ways to make it alone
Or keep a straight face

And I've always lived like this
Keeping a comfortable distance
And up until now I had sworn to myself that I'm content with loneliness
Because none of it was ever worth the risk

But you are the only exception
You are the only exception
You are the only exception
You are the only exception

I've got a tight grip on reality
But I can't let go of what's in front of me here
I know you're leaving in the morning when you wake up
Leave me with some kind of proof, it's not a dream, oh

You are the only exception
You are the only exception
You are the only exception
You are the only exception

You are the only exception
You are the only exception
You are the only exception
You are the only exception

And I'm on my way to believing
Oh, and I'm on my way to believing

In Indonesia :

Ketika aku muda, aku melihat ayahku menangis
Dan dia mengutuk angin
Dia mematahkan hatinya sendiri dan saya melihat
Saat ia mencoba untuk merangkainya kembali

Dan ibu saya bersumpah
Dia tidak akan membiarkan dirinya melupakan
Dan itu adalah hari di mana aq berjanji
Aku tidak pernah bernyanyi cinta, bahwa tak ada cinta

Tapi sayang, kecuali kamu
Kecuali kamu
Kecuali kamu

Kecuali kamu

Mungkin aku tahu suatu saat nanti, suatu tempat jauh di jiwaku
Cinta tak kan berakhir
Dan kita akan mencari jalan untuk membuatnya sendiri
Atau tidak tertawa

Dan aku selalu hidup seperti ini
Menjaga jarak yang nyaman
Dan sampai sekarang saya telah bersumpah kepada diriku sendiri bahwa aku puas dengan kesepian
Karena tidak ada yang pernah sepadan dengan risikonya

Tapi sayang, kecuali kamu
Kecuali kamu
Kecuali kamu

Kecuali kamu

Aku punya pegangan erat pada kenyataan
Tapi aku tidak bisa melepaskan apa yang ada di depan saya di sini
Aku tahu kau akan pergi di pagi hari saat bangun
Tinggalkan aku dengan beberapa jenis bukti, itu bukan mimpi, oh

Kecuali kamu
Kecuali kamu

Kecuali kamu

Kecuali kamu

Kecuali kamu

Kecuali kamu

Dan saya sedang dalam perjalanan untuk percaya
Oh, dan aku sedang dalam perjalanan saya untuk percaya

Paramore-The Only Exception [OFFICIAL VIDEO]

Fuckin' Perfect-Pink (Lyrics)

Made a wrong turn, once or twice

Dug my way out, blood and fire

 Bad decisions, that's alright

Welcome to my silly life
Mistreated, misplaced, misunderstood Miss, no way it's all good, it didn't slow me down

Mistaken, always second guessing Underestimated, look, I'm still around
Pretty, pretty please, don't you ever, ever feel Like you're less than, less than perfect

Pretty, pretty please, if you ever, ever feel Like you're nothing you are perfect to me
You're so mean when you talk

About yourself, you are wrong

Change the voices in your head

Make them like you instead
So complicated, look how big you'll make it

 Filled with so much hatred, such a tired game

It's enough, I've done all I can think of

Chased down all my demons, see you do the same
Pretty, pretty please, don't you ever, ever feel Like you're less than, less than perfect Pretty, pretty please, if you ever, ever feel Like you're nothing, you are perfect to me
The whole world stares while I swallow the fear The only thing

 I should be drinking is an ice cold beer

 So cool in lying and we tried, tried, tried

 But we try too hard, it's a waste of my time
Done looking for the critics 'cause they're everywhere

They don't like my genes, they don't get my hair

Strange ourselves and we do it all the time

Why do we do that? Why do I do that? Why do I do that?
Ooh, pretty, pretty, pretty Pretty, pretty please, don't you ever, ever feel

Like you're less than, less than perfect

Pretty, pretty please, if you ever, ever feel

Like you're nothing, you are perfect to me You are perfect to me
You're perfect, you're perfect to me Pretty, pretty please if you ever, ever feel

Like you're less than, less than perfect Pretty, pretty please if you ever, ever feel Like you're nothing, you are perfect to me

Pink -Fuckin' Perfect Official Music Video

When I see you smile-Bad English (Lyrics)

Sometimes I wonder
How I'd ever make it through,
Through this world without having you
I just wouldn't have a clue

'Cause sometimes it seems
Like this world's closing in on me,
And there's no way of breaking free
And then I see you reach for me

Sometimes I wanna give up
I wanna give in,
I wanna quit the fight
And then I see you, baby
And everything's alright,
everything's alright

When I see you smile
I can face the world, oh oh,
you know I can do anything
When I see you smile
I see a ray of light, oh oh,
I see it shining right through the rain
When I see you smile
Oh yeah, baby when I see you smile at me

Baby there's nothing in this world
that could ever do
What a touch of your hand can do
It's like nothing that I ever knew

And when the rain is falling
I don't feel it,
'cause you're here with me now
And one look at you baby
Is all I'll ever need,
you're all I'll ever need

Chorus

Sometimes I wanna give up
I wanna give in,
I wanna quit the fight
And then I see you baby
And everything's alright,
everything's alright

So right...

When I See You Smile-Bad English

Ode To My Family, Lyrics

Doo, doo, doo, doo, doo, doo, doo, doo...

Understand the things I say, don't turn away from me,
'Cause I've spent half my life out there, you wouldn't disagree.
Do you see me? Do you see? Do you like me?
Do you like me standing there? Do you notice?
Do you know? Do you see me? Do you see me?
Does anyone care?

Unhappiness where's when I was young,
And we didn't give a damn,
'Cause we were raised,
To see life as fun and take it if we can.
My mother, my mother,
She hold me, she hold me, when I was out there.
My father, my father,
He liked me, oh, he liked me. Does anyone care?

Understand what I've become, it wasn't my design.
And people ev'rywhere think, something better than I am.
But I miss you, I miss, 'cause I liked it,
'Cause I liked it, when I was out there. Do you know this?
Do you know you did not find me. You did not find.
Does anyone care?

Unhappiness where's when I was young,
And we didn't give a damn,
'Cause we were raised,
To see life as fun and take it if we can.
My mother, my mother,
She hold me, she hold me, when I was out there.
My father, my father,
He liked me, oh, he liked me.

Does anyone care?... [X9]
Doo, doo, doo, doo, doo, doo, doo, doo...

The Cranberries - Ode To My Family

The Cranberries tour dates

Date	City	Venue
May 16	Chicago IL, USA	Riviera
May 17	Minneapolis MN, USA	The Brick
May 19	Philadelphia PA, USA	Electric Factory
Jun 18	London, England	Hammersmith Apollo
Jun 20	Paris, France	Le Grand Rex
Jun 22	Ruoms, France	Aluna Festival
Jun 24	Bratislava, Slovakia	Ondrej Nepela Arena
Jun 25	Berlin, Germany	Zitadelle
Jun 26	Warsaw, Poland	Torwar
Jun 29	Zagreb, Croatia	INmusic Music Festival
Jun 30	Piazzola sul Brenta (Padova), Italy	Anfiteatro Camerini
Jul 02	Rome, Italy	Cavea Auditorium
Jul 04	Milan, Italy	Arena Civica
Jul 06	Toulouse, France	Le Zenith
Jul 07	Cognac, France	Cognac Blues Festival
Jul 09	Barcelona, Spain	Poble Espanyol
Jul 10	Madrid, Spain	Palacio Vistalegre
Jul 14	Beirut, Lebanon	The Palace of Beiteddine
Nov 02	Luxembourg	Rockhal
Nov 04	Antwerp, Belgium	Lotto Arena
Nov 05	Amsterdam, Holland	HMH
Nov 07	Zurich, Switzerland	Hallenstadion
Nov 10	Caen, France	Zenith
Nov 11	Orleans, France	Zenith
Nov 13	Montbeliard, France	Zenith
Nov 14	Strasbourg, France	Zenith
Nov 16	Toulon, France	Zenith
Nov 17	Grenoble, France	Summum
Nov 19	Clermont Ferrand, France	Zenith
Nov 20	Lyon, France	Le Halle Tony Garnier
Nov 22	Brest, France	Zenith
Nov 24	Nantes, France	Zenith
Nov 25	Paris, France	Zenith
Nov 27	Lille, France	Zenith
Nov 29	Vienna, Austria	Gasometer
Dec 04	Belgrade, Serbia	Beogradska Arena

History of Deep Purple

Deep Purple

Purple Prose
Deep Purple has surrendered to the ‘Rapture’; now it’s your turn
By Jeff Miers
The first time I heard Deep Purple – or perhaps felt Deep Purple is a better way to describe the experience – it was the mid-70s. I was 8, and Ritchie Blackmore’s sinewy, sinister riffing on the “Made In Japan” version of “Child In Time,” coupled with Ian Gillan’s dramatic, gorgeous howling, Jon Lord’s ominous neo-classical Hammond organ, and the dynamic interplay of the Roger Glover-Ian Paice rhythm section, tore the top of my head off.
It was unlike anything else I’d ever heard. And it quite literally changed my life.
30 years later, I’m still hearing Deep Purple for the first time.
“Rapture of the Deep” is the spot-on moniker for the disc you hold in your hands, and I’ll stand on any classic rock radio programmer’s desk in my cowboy boots and scream it loud, proud and Gillan-esque; “This is the best Deep Purple album there is, dammit! Forget ‘Machine Head’ – that was then; this is most decidedly now!”
This is the fourth record created by the revamped and rejuvenated Purple following the umpteenth departure of the mercurial Mr. Blackmore. The guitarist – one of the most significant in British rock history - had ceased to be a contributing force and was in fact draining Purple of its collective spirit when his ship finally set sail for good, a bit over a decade back.
Blackmore's exit is, in a sense, where our story begins, for the surviving band members left to pick up the pieces in his violent wake – Gillan, Glover, Lord, Paice – agreed unanimously on only one six-stringer, the soon to be knighted Steve Morse. Hardly scraping the dregs from the bottom of the barrel with that choice, boys.
Morse accepted, writing commenced for what would become “Purpendicular,” on-stage work-outs were seized upon with relish, and the band breathed the heady air of rebirth. When “Purpendicular” was delivered, it astonished. Rather than going softly into the long goodnight of “classic rock” middle-age, Deep Purple had reinvented itself. It took no more than a cursory listen to the likes of “Ted the Mechanic,” "Loosen My Strings” and “Sometimes I Feel Like Screaming” to drive this point straight into the skull.
Morse brought a funkiness, a depth as guitarist and writer, an unparalleled fluidity as a soloist, a startling aptitude as foil to Lord, and an arsenal of influences – country, folk, jazz, what they’ve sadly labeled “fusion,” and an inherent understanding of blues-based riffs – that meshed effortlessly with the immaculate Glover-Paice sense of swing and Gillan’s seeming capacity to go anywhere at any time, full-throated and eyes ablaze.
”Purpendicular” was a celebration of both remembrance and reinvention. It at once acknowledged Purple’s estimable history and tradition, and a musical wanderlust not content to repeat the past. As such, it laid the template for a new Purple. And it all, it seems, was paving the way for the mighty metamorphosis that is “Rapture of the Deep.”
With Morse, Purple toured the world to accolades from the cognoscente. “Abandon” cemented the band’s on-stage prowess on record, and reminded us that Purple was, yes indeed, the heaviest of heavy rock bands. “Bananas,” the first record following Lord’s retirement from touring and his replacement by exquisite ivory-tinkler Don Airey, brought elements of pop to the table, grafted on some of “Purpendicular’s” ambition, and encapsulated the ensemble-riff power of “Abandon.” Tours behind both of these albums revealed this still-young band’s continued growth as a performing unit. By the end of the "Bananas" marathon, Airey had marked his apotheosis, from "replacement" to fully-integrated band-member.
”Rapture of the Deep” marks yet another new beginning, however. And it, more than any other record this side of “Perfect Strangers” and “Purpendicular,” offers a snapshot of the band transitioning into bold, uncharted territory. It’s as if all the pieces fit, not for the first time, of course, but in a manner that reveals a more pure portrait of just what this band is capable of. The whole transcends the sum of its parts, which is fitting for a record that seems to be, in a very real sense, about transcendence.
”As we all know, it’s hard to breathe/When something spiritual has taken place/We don’t know how, we don’t know why/We’ve been transported to a state of grace,” sings Gillan during the album’s title track, and this verse can be seen as indicative of the over-arching ethos behind “Rapture of the Deep.” Lyrically, it speaks of a spirit not content with the status quo in terms of interpersonal, social and political relationships, and this irreverent yearning is matched by the searching nature of the music itself, which also refuses to be ordinary.
The album opens with “Money Talks,” a hook-heavy rocker with several twists in its tale, most notably Gillan’s harmony vocals during the chorus, his uber-hip sing-speak during the verses – recalling both “Fireball’s” “No One Came” and his own “No Laughing In Heaven” – and the manner in which the tune flirts with an Eastern modality before erupting into a searing Morse solo. “Wrong Man” slaps the listener in the face straight out of the gate with a strutting riff that can’t miss, as Glover and Paice exploit the pocket for all it’s worth, and Gillan kicks against the pricks in the voice of a character whose greatest crime seems to be having been in the wrong place at the wrong time. Both of these – like their siblings on “Rapture,” elegant and refined rockers steeped in blues and chomping at the bit, with names like “Back To Back,” “Girls Like That” and the hit single in waiting “Don’t Let Go” – are brilliant Purple tunes, estuaries from a river that never seems to run too dry. Ah, but the surprises… they’re many and varied here, and they elevate “Rapture” toward the rapturous upper echelons of the Purple canon.
“Before Time Began” takes the form of a threatening march, an abscess dying to burst. Paice offers a dark subterranean shuffle, as the band lays down a series of melancholic chords, and Gillan, in a voice drenched in pathos, bemoans a world in which “Every day of my life I discover/Someone murdering my sisters and brothers/In the name of some god or another.” No mere political polemic, this, however; Gillan’s touch is too light, and he’s a master of “leaving things out,” so that his lyric is suggestive, rather than mere vitriol. “All of those bad ideas became the law/And we’ve forgotten what we’re looking for.” Indeed.
And again, the Purple engine room is in full overdrive mode here, as an expansive call-and-response between Morse and Airey - who has made replacing Lord look easy, when we all know it is in fact far from it; Airey has made his mark on Purple, to be sure, by respecting what came before him and having the fortitude and chops to take it all somewhere new and exciting - leaves one feeling breathless and vulnerable. This is “progressive rock” in the most positive sense of that much-maligned term.
The centerpiece of “Rapture” also happens to be one of the finest tunes in the band’s history – no small claim, that. “Clearly Quite Absurd” is clearly quite sublime; a piece with a melody that simply hurts to listen to, in the way that first love is painful because it’s ephemeral and fleeting. Thankfully, your disc player has a “repeat” button, so this is a love that will never abandon you.
Gillan sings of escaping the snares of the mundane and commonplace, the accepted reality which deadens us to the potential one above and beyond it. Again, harmony vocals – Beatle-esque ones, in this instance – help set the mood, and an ascending chord progression led by Morse spreads its arms heavenward, eventually settling into a circular pattern that becomes one of the more moving codas not just in Purple history, but, yep, in the history of heavy rock itself.
This is Deep Purple, 2005 version. Intense, fearless, full of fire, and wit, and passion. Marked by serious virtuosity, but never a slave to it. Still finding new meaning in a medium they all but single-handedly created. Grab ahold of this, and don’t let go.
- August, 2005
Buffalo, NY

Official website www.deeppurple.com

Deep Purple Tour Dates

10.24.12 - Ekaterinburg, Russia
10.27.12 - St. Petersburg, Russia
10.28.12 - Moscow, Russia
10.30.12 - Krasnodar, Russia
11.02.12 - Kiev, Ukraine
11.08.12 - Luxembourg
11.09.12 - Grenoble, France
11.11.12 - Nantes, France
11.12.12 - Caen, France
11.15.12 - Koln, Germany
11.16.12 - Bremen, Germany
11.17.12 - Hannover, Germany
11.20.12 - Kiel, Germany
11.22.12 - Frankfurt, Germany
11.23.12 - Oberhausen, Germany
11.24.12 - Hamburg, Germany
11.26.12 - Leipzig, Germany
11.27.12 - Berlin, Germany
11.29.12 - Augsberg, Germany
11.30.12 - Munchen
12.01.12 - Stuttgart, Germany
12.03.12 - Brussels, Belgium

LED ZEPPELIN

The discography of the English rock band Led Zeppelin consists of nine studio albums, three live albums, nine compilation albums, sixteen singles, eight music downloads, three charted songs and two video albums. Formed in London in 1968, the group consisted of guitarist Jimmy Page, singer Robert Plant, bass player John Paul Jones, and drummer John Bonham. The band pioneered the concept of album-oriented rock and often refused to release popular songs as singles. Their debut album, Led Zeppelin (1969), released by Atlantic Records, charted at number six on the UK Albums Chart and at number ten on the United States Billboard 200. It received several sales certifications, including an 8 times multi-platinum from the Recording Industry Association of America (RIAA) and Diamond from the Canadian Recording Industry Association (CRIA). Led Zeppelin's second studio album, Led Zeppelin II, recorded when the band were on tour, was released a few months after the first. It reached number one in several countries, including the UK and the US, where it was certified 12 times multi-platinum. The album produced Led Zeppelin's most successful single, "Whole Lotta Love", which peaked at several music charts in the top 10. Led Zeppelin III (1970) was a softer, more folk-based effort compared to the hard rock of the band's previous releases. It also peaked at number one in the UK and in the US.

Led Zeppelin's untitled fourth album, often called Led Zeppelin IV and released on 8 November 1971, is their most commercially successful album. It received a 23 times multi-platinum certification from RIAA, the third-highest of all albums. The band's fifth album, Houses of the Holy, was released in 1973. Again a transatlantic chart-topper, it has received an 11 times multi-platinum certification from RIAA. In 1974, the band set up their own vanity label, Swan Song Records, which would release the rest of Led Zeppelin's studio albums. The first was the 1975 double album Physical Graffiti, which has received a 16 times platinum certification from RIAA. However, Zeppelin's seventh album, Presence (1976), did not perform as well as their previous releases, receiving a triple Platinum certification from RIAA. On 20 October 1976 Led Zeppelin released their first concert film The Song Remains the Same. The recording of the film took place during three nights of concerts at Madison Square Garden in New York City, during the band's 1973 concert tour of the United States. The band's eighth album, In Through the Out Door, received a sextuple platinum certification. This was the last album released by the band before Bonham died of alcohol intoxication in 1980; Led Zeppelin disbanded immediately afterwards.

In 1982 Led Zeppelin released the album Coda, a compilation of outtakes from the band's previous recordings, but still considered to be a studio album. Since their break-up, the band have released numerous compilation and live albums from older concerts, including How the West Was Won, which peaked at number one on the Billboard charts, and the compilation album Mothership, which produced seven music downloads and was released on the same day Led Zeppelin's entire catalog became available in digital stores, including in the iTunes Store. "Stairway to Heaven", which had never been released as an official single before, was one of these songs released in digital stores. The band has sold over 300 million albums worldwide, including 111.5 million certified units in the United States.

Contents 1 Albums 1.1 Studio albums 1.2 Live albums 1.3 Compilation albums 2 Singles, other charted songs and music downloads 2.1 Singles 2.2 Charted songs 2.3 Music downloads 3 Video albums and concert films 4 See also 5 References 6 Sources 7 External links

Albums

Studio albums

Year	Album details	Peak chart positions										Certifications
		UK	AUS	AUT	CAN	FRA	DE	NLD	NZ	NOR	US
1969	Led Zeppelin Released: 12 January 1969 (USA) Released: 31 March 1969 (UK) Label: Atlantic Format: CS, CD, LP	6	9	—	11	19	32	—	—	16	10	AUS: 2× Platinum CAN: Diamond FRA: Gold NLD: Gold SWI: Gold UK: 2× Platinum US: 8× Platinum
	Led Zeppelin II Released: 22 October 1969 Label: Atlantic Format: CS, CD, LP	1	1	—	1	3	1	1	—	2	1	AUS: 4× Platinum AUT: Gold CAN: 9× Platinum FRA: 2× Gold DE: Platinum UK: 4× Platinum US: 12× Platinum
1970	Led Zeppelin III Released: 5 October 1970 Label: Atlantic Format: CS, CD, LP	1	1	—	1	4	3	3	—	3	1	AUS: 3× Platinum FRA: Platinum DE: Gold NLD: Gold SWI: Gold US: 6× Platinum
1971	Led Zeppelin IV[B] Released: 8 November 1971 Label: Atlantic Format: CS, CD, LP	1	2	—	1	2	9	7	34	3	2	AUS: 9× Platinum CAN: 2× Diamond FRA: 2× Platinum DE: 3× Gold NLD: Platinum SWI: Platinum UK: 6× Platinum US: 23× Platinum
1973	Houses of the Holy Released: 28 March 1973 Label: Atlantic Format: CS, CD, LP	1	1	3	1	3	8	4	—	4	1	FRA: 2× Gold DE: Gold[29] UK: Platinum[25] US: 11× Platinum[26]
1975	Physical Graffiti Released: 24 February 1975 Label: Swan Song Format: CS, CD, LP	1	2	2	1	2	17	10	3	4	1	AUS: 3× Platinum[31] FRA: Gold[22] DE: Gold[29] UK: 2× Platinum[25] US: 16× Platinum[26]
1976	Presence Released: 31 March 1976 Label: Swan Song Format: CS, CD, LP	1	4	—	16	5	27	7	8	4	1	UK: Platinum[25] US: 3× Platinum[26]
1979	In Through the Out Door Released: 15 August 1979 Label: Swan Song Format: CS, CD, LP	1	3	20	1	7	28	21	1	14	1	AUS: 2× Platinum[27] UK: Platinum[25] US: 6× Platinum[26]
1982	Coda[A] Released: 19 November 1982 Label: Swan Song Format: CS, CD, LP	4	9	—	3	17	43	—	7	18	6	UK: Silver[25] US: Platinum[26]
"—" denotes releases that did not chart or were not released.

Live albums

Year	Album details	Peak chart positions										Certifications
		UK [10]	AUS [11]	AUT [12]	CAN [13]	FRA [14]	DE [15]	NLD [16]	NZ [17]	NOR [18]	US [19]
1976	The Song Remains the Same Released: 28 September 1976 Label: Swan Song Format: CS, CD, LP	1	8	—	8	—	6	—	6	21	2	FRA: Gold[22] DE: Gold[29] UK: Platinum[25] US: 4× Platinum[26]
1997	BBC Sessions Released: 11 November 1997 Label: Atlantic Format: CS, CD, LP	23	—	—	30	38	—	—	26	36	12	UK: Silver[25] US: 2× Platinum[26]
2003	How the West Was Won Released: 27 May 2003 Label: Atlantic Format: CD	5	10	17	1	11	15	47	13	10	1	CAN: Platinum[21] UK: Gold[25] US: Platinum[26]
"—" denotes releases that did not chart or were not released.

Compilation albums

Year	Album details	Peak chart positions										Certifications
		UK [10]	AUS [11]	AUT [12]	CAN [13]	FRA [14]	DE [15]	NLD [16]	NZ [17]	NOR [18]	US [19]
1990	Led Zeppelin Boxed Set Released: 7 September 1990 Label: Atlantic Format: CS, CD, LP	48	46	—	—	16	—	—	—	—	18	UK: Silver[25] US: Diamond[26]
	Led Zeppelin Remasters Released: 15 October 1990 Label: Atlantic Format: CS, CD, LP	10	1	19	46	3	13	33	3	8	47	AUS: 10× Platinum[27] AUT: Gold[28] DE: Platinum[29] NOR: Gold [32] SWI: Gold[24] UK: 2× Platinum[25] US: 2× Platinum[26]
1993	Led Zeppelin Boxed Set 2 Released: 21 September 1993 Label: Atlantic Format: CD	56	—	—	—	67	—	—	48	—	87	US: Gold[26]
	The Complete Studio Recordings Released: 24 September 1993 Label: Atlantic Format: CD	—	—	—	—	—	—	—	—	—	—	FRA: Platinum[22] US: 2× Platinum[26]
1999	Early Days: Best of Led Zeppelin Volume One Released: 24 February 1999 Label: Atlantic Format: CS, CD, LP	55	—	23	—	—	71	—	—	—	71	CAN: Gold[21] UK: Silver[25] US: Platinum[26]
2000	Latter Days: Best of Led Zeppelin Volume Two Released: 21 March 2000 Label: Atlantic Format: CS, CD, LP	40	—	—	—	—	71	—	—	—	81
2002	Early Days and Latter Days Released: 19 November 2002 Label: Atlantic Format: CD	11	—	—	—	21	96	—	17	—	114	UK: Platinum[25] US: Platinum[26]
2007	Mothership Released: 12 November 2007 Label: Atlantic Format: CD, LP	4	8	4	15	6	4	15	1	1	7	AUS: Platinum[33] AUT: Gold[28] CAN: 3× Platinum[21] DE: Platinum[29] FRA: Gold[22] SWI: Gold[24] UK: 2× Platinum[25] US: 2× Platinum[26]
2008	Definitive Collection Released: 4 November 2008 Label: Atlantic/Rhino Format: CD	—	—	—	—	—	—	—	—	—	—
"—" denotes releases that did not chart or were not released.

Notes

• A ^ : The liner notes for the Led Zeppelin Boxed Set 2 and the label attached to the Complete Studio Recordings boxed set categorise Coda as a studio album.
• B ^ : The fourth Led Zeppelin album was untitled and is generally known as Led Zeppelin IV. It is also referred to as Four Symbols, Runes, Untitled  and Zoso.

Singles, other charted songs and music downloads

Singles

Year	Song	Chart positions									Album
		UK [10][36]	AUS [37]	AUT [12]	CAN [38]	DE [15]	NLD [16]	CH [39]	US [19]	US Main [19]
1969	"Good Times Bad Times" b/w "Communication Breakdown"	—	—	—	64	—	17	—	80	—	Led Zeppelin
	"Whole Lotta Love" b/w "Living Loving Maid (She's Just a Woman)"	— —	1 —	3 —	4 —	1 —	5 —	5 —	4 65	— —	Led Zeppelin II
1970	"Immigrant Song" b/w "Hey Hey What Can I Do"	—	16	13	4	6	9	4	16	—	Led Zeppelin III
1971	"Black Dog" b/w "Misty Mountain Hop"	—	9	—	11	22	20	6	15	—	Led Zeppelin IV
1972	"Rock and Roll" b/w "Four Sticks"	—	51	—	38	13	—	—	47	—
1973	"Over the Hills and Far Away" b/w "Dancing Days"	—	—	—	63	—	—	—	51	—	Houses of the Holy
	"D'yer Mak'er" b/w "The Crunge"	—	—	—	24	—	—	—	20	—
	"The Ocean"	—	—	—	—	8	—	—	—	—
1975	"Trampled Under Foot" b/w "Black Country Woman"	—	60	—	41	—	—	—	38	—	Physical Graffiti
1976	"Candy Store Rock"[40] b/w "Royal Orleans"	—	—	—	—	—	—	—	—	—	Presence
1979	"Fool in the Rain" b/w "Hot Dog"	—	—	—	12	—	—	—	21	—	In Through the Out Door
1990	"Travelling Riverside Blues"	—	—	—	57	—	—	—	—	7	Boxed Set
1993	"Baby Come On Home"	—	—	—	66	—	—	—	—	4	Boxed Set 2
1997	"Whole Lotta Love" (UK re-release)	21[36]	52	—	—	—	—	—	—	—	BBC Sessions
	"The Girl I Love She Got Long Black Wavy Hair"	—	—	—	49	—	—	—	—	4
"—" denotes releases that did not chart or were not released.

Charted songs

Year	Song	Chart positions	Album
		US Main [19]
1982	"Darlene"	4	Coda
	"Ozone Baby"	14
	"Poor Tom"	18
"—" denotes releases that did not chart or were not released.

Music downloads

Year	Song	Chart positions					Album
		UK [10][36]	CAN [38]	DE [15]	CH [39]	US Digital [19]
2007	"Whole Lotta Love"	64[10]	49	—	—	—	Mothership
	"Immigrant Song"	109[41]	54	—	—	71
	"Black Dog"	119[41]	59	—	—	66
	"Stairway to Heaven"	37	17	15	17	30
	"Kashmir"	80	33	—	64	42
	"Ramble On"	—	66	—	—	—
	"Fool in the Rain"	—	69	—	—	—
"—" denotes releases that did not chart or were not released.

Video albums and concert films

Year	Video details	Certifications
1976	The Song Remains the Same Released: 20 October 1976 Studio: Warner Bros. Format: VHS
2003	Led Zeppelin Released: 26 May 2003 Studio: Atlantic Format: DVD	AUS: 5× Platinum JPN: Gold US: 10× Platinum