It's the sort of
story that scriptwriters would get laughed out of conference rooms for
proposing. The sort of story that illustrates perfect synchronicity between
hunger, passion and time. The sort of story that only happens every 30-odd
years. And the sort of story that would need approximately 500 pages to do it
true justice.
Metallica. A
household name. The 7th biggest selling act in American history.
Who'd have thought
it when, on October 28th, 1981, drummer Lars Ulrich made guitar player/singer
James Hetfield an offer he couldn't refuse: "I've got a track saved for my
band on Brian Slagel's new Metal Blade label."
The truth is, Lars
didn't have a band at that time, but he did that day when James joined him. The
two recorded their first track on a cheap recorder with James performing
singing duties, rhythm guitar duties and bass guitar duties. Lars dutifully
pounded the drums, helped with musical arrangements and acted as manager.
Hetfield's friend and housemate Ron McGovney was eventually talked into taking
up bass and Dave Mustaine took lead guitar duties.
The band adopted
the moniker Metallica after a suggestion from Bay Area friend Ron Quintana, and
they quickly began gigging in the Los Angeles area opening for bands like
Saxon. Eventually recording a fully-fledged demo called No Life 'Til
Leather, Metallica quickly saw the tape whistle around the
metal tape-trading underground and become a hot commodity, with San Francisco
and New York particularly receptive.
Metallica
performed two shows in San Francisco and found the crowds friendlier and more
honest than LA's "there to be seen" mob. They also caught
up-and-coming band Trauma, and most importantly their bass player, Cliff
Burton. Cliff refused to move to Southern California: it was enough to convince
Metallica to relocate to the Bay Area, and Cliff subsequently joined Metallica.
In New York, a
copy of No
Life 'Til Leather made its wa
y to Jon Zazula's record shop, the aptly named Metal Heaven. Zazula quickly recruited Metallica to come out east to play some shows and record an album. The band made it to New York in a stolen U-Haul. Dave Mustaine, at that point the band's guitarist, was proving to be more problematic than even these loose young chaps could handle. Thus a few weeks after arrival, Mustaine was sent packing, roadie Mark Whitakker suggesting Kirk Hammett from Bay Area thrashers Exodus. Two phone calls and one flight later, on April 1, 1983 Kirk Hammett joined Metallica.
y to Jon Zazula's record shop, the aptly named Metal Heaven. Zazula quickly recruited Metallica to come out east to play some shows and record an album. The band made it to New York in a stolen U-Haul. Dave Mustaine, at that point the band's guitarist, was proving to be more problematic than even these loose young chaps could handle. Thus a few weeks after arrival, Mustaine was sent packing, roadie Mark Whitakker suggesting Kirk Hammett from Bay Area thrashers Exodus. Two phone calls and one flight later, on April 1, 1983 Kirk Hammett joined Metallica.
Metallica's first
album, Kill
'Em All, was released in late 1983 and there was some ferocious
touring which saw the band's reputation soar both in the US and Europe. The
album itself was wonderfully unlike anything; a fusion of the crunchiest metal
with the grating riffery of punk attitude, tracks such as "Phantom
Lord", "Metal Militia" and "The Four Horsemen" were
instant classics. In 1984 they went to work with producer Flemming Rassmussen
in Copenhagen at Sweet Silence Studios on their second album. Ride the
Lightning proved that Metallica were not some thrash-in-the-pan
one trick pony, the writing and sound illustrating a growth, maturity and
intensity, typified by classic compositions such "Fade To Black" and
"For Whom The Bell Tolls" but without sacrificing an iota of energy
and aggression, as shown on "Fight Fire With Fire". This surefire
ball of fire and brimstone was immediately targeted by major management in Q
Prime, and a major label in Elektra. Metallica happily got both deals done by
the fall of '84 and their reputation continued to grow worldwide.
Returning to the
same studios in 1985, the group recorded Master
Of Puppets, mixing in LA with Michael Wagner and releasing in
early 1986. They quickly secured a tour with Ozzy Osbourne, and that stint
(plus a top 30 album chart position) saw their fan base and name take a quantum
leap. What had once seemed so unlikely was now closer than ever to coming true:
world domination.
Official Website www.metallica.com
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